Last summer while studying French, I learned that the word “essay” is an adaptation of the French verb, “essayer.”  Plainly, “essayer” means “to try.”  An essay–a try.  These linguistic connections are some of the simple pleasures of language study: with the acquisition of a single foreign word, even the most native term can take on a whole new depth of meaning.  An essay–a try.  It made so much sense to me.

And I think it resonated with me because of the creative process that Gilbert described.  When I sit down to write, I am trying–trying to write well, yes–but really, truly, I am trying to be open to that something else…that something “given” that Gilbert describes as inspiration.  In that sense, I am trying not to write at all.  The best stuff on the page doesn’t originate from within me. It hits me, smack in the head, while I’m mid-way through a sentence at my keyboard. I can feel that it arrives from a different place.  From where?

Theologian Gordon Kaufman describes God as Creativity.  I’m not sure it’s God, but I do think, whatever it is, it helps me to believe in God.  There is something deeply sacramental about this experience within the writing process: in the relationship between a writer and her words, something good and beyond interrupts.  Mystery interrupts what is otherwise mundane and laborious. Isn’t that precisely the experience of the world the compels me toward the Divine?

It is the end of finals here at Harvard–and the completion of my Master’s degree, at that. And this is the time of every semester when we find ourselves asking, “Why do we do this to ourselves?” All the pressure, all the essays, ALL the essays.  Still, I keep trying and trying and trying–because, when I ask myself “Why do I do this? WHY do I do this?” I realize I am still waiting, crazy like Elizabeth Gilbert, for the mystery to interrupt. I want to keep waiting, to keep writing. An essay–a try.

Mother, Washing Dishes by Susan Meyers
She rarely made us do it—
we’d clear the table instead—so my sister and I teased
that some day we’d train our children right
and not end up like her, after every meal stuck
with red knuckles, a bleached rag to wipe and wring.
The one chore she spared us: gummy plates
in water greasy and swirling with sloughed peas,
globs of egg and gravy.

Or did she guard her place
at the window? Not wanting to give up the gloss
of the magnolia, the school traffic humming.
Sunset, finches at the feeder. First sightings
of the mail truck at the curb, just after noon,
delivering a note, a card, the least bit of news.

On Holy Thursday, I kneel down on the cool hard floor of the sanctuary before a small basin of water. I take a stranger’s feet into my palms.  With my small hands I tip the heavy pitcher of water, and with great care, I wash these feet. I dry them.

And every year when I am through, I look up at a warm, humble smile. And for a brief, still moment, I offer one too.

I would never want to give that up.

The good news appears to be that the epilepsy is treatable with a fairly safe surgical procedure.  Free of this illness, Sr. John’s community would be free of the burden of worrying about and caring for Sr. John when these trance-like experiences come over her.  Yet, assent to such a procedure is in no way simple for Sr. John: while the symptomatic mystical writing has brought her fame, it has also, more importantly, given her a consistent, incredibly intimate experience of God’s presence.

Amid her story, any reader is inevitably confronted by the question she faces: If I were in her position, what would I do?  Would I rid myself of these symptoms for the sake of my health and my community—but at the potential cost of losing this feeling of intimacy with God?  Or, would I accept ill health for the sake of this mystical life?

When discussing this book with friends, I have often said that I would choose mysticism.  So much of our lives are spent seeking clarity about the decisions we make, about the convictions we live by—thus, I can only imagine how liberating it would feel to experience the kind of clarity and peace that would accompany this type of mystical intimacy with God.  How could one consciously give that up after experiencing it?

However, one scene from the book made me re-think all that.  On the night when Sr. John must make up her decision, she vows to stay up all night, keeping vigil in the monastery chapel until she finds peace with her choice, one way or the other.  After a few hours in the darkness and quiet, her sisters, one by one, fill the chapel.  Saying nothing, their presence implicitly communicates that they, too, will keep vigil with her until she reaches her decision.  And in reading this, it occurred to me: It is very rare that God gives us the type of mystical clarity that Sr. John experienced for so many years. More often, I think, God gives us each other.

Surely, most of us still long for the sky to open and a divine voice to call out how to live and what to think.  But a longing for this type of clarity, for this type of conviction, can distract us from the gift of God in our midst—the God embodied in those who sit next to us, in word and in silent, as we discern all those small decisions that make up a lifetime. Would I exchange that for mysticism?  Well, maybe—I’ve never experienced the sort of thing that Sr. John did.  But, when I recall the many nights when people have kept vigil with me—around dinner tables, on long walks, over drinks at the bar—I can’t imagine trading that for anything. And I can’t imagine that God wasn’t right there, too.

“Yes I have heard!” said the other woman. “You’re entering the battle ground!” she exclaimed. “I’ve heard what the bishops have done to Elizabeth Johnson at Fordham.” She was referring to the recent negative statement from the US Conference of Catholic Bishops concerning the work of Prof. Johnson, one of the leading Catholic feminist theologians of our time.  Although much of the theological world has dismissed the legitimacy of any and all of these claims made by the USCCB, the statement has stirred a great deal of controversy nevertheless.

“There is still hope, though!” the first woman replied. Still hope for the future of feminist theology in this church.

“Really?”said the other.

“Yes, yes, there must be! We must hope.” Hope.

Dr. Kiran Martin

Once we found our seats the event moderator introduced Dr. Kiran Martin, the founder of Asha India, an organization in Delhi committed to transforming the lives of the 1/3 of Dehli’s population living in the urban slums. Dr. Martin recounted her story: As a young medical student, she decided to visit Delhi’s urban slums; despite living in the city her whole life, she had never visited these areas in her city.  There, she found herself amid a cholera outbreak and felt compelled to offer her medical services to the sick children there. Once she established regular medical services in these communities, she realized they needed housing renovations. Once those began,  she realized they needed property rights.  Then, she realized they needed opportunities for higher education, and so on.

What began with a single woman, offering what she could for the betterment of a community in need, has resulted in a large, holistic, and exceptionally influential NGO that works with some of the poorest of the global poor.

“Asha,” she told us, “is Hindi for ‘hope.’”  She had called her life’s work, “Hope.”

If this woman, with this monumental mission, can call this work, “Hope,” then perhaps I can claim it for my small work, too. Perhaps I, too, can be one woman, merely offering what I can for the betterment of one community. Perhaps that is how hope can survive, maybe even thrive, in the day to day.

“No reason to feel bad about it,” he said, matter-a-factly. “Even God took a break.”  Even God took a break.

Indeed, at the conclusion of the first creation narrative in Genesis 1, God takes a break–a seventh day sabbath.  Surely, God’s break warrants my own respite from the creation process, right?  This was consoling for a time…until the guilt began to encroach upon my psyche again.  ”God took a break after doing something,” I told myself. “I haven’t done any writing at all lately!  And what’s more, God didn’t just create something. God created something ‘very good‘!” This logic only brings me right back to where I began.

This swirling mess of self-justification and degradation so often frames my daily reflection on life–not just my blogging life. If I’m not bemoaning my lazy writing practice, then it’s my inability to keep up with my growing email inbox or to-do lists, or my desire to work harder or fast or better, or harder and faster and better. The more I indulge this mindset, the more I find myself trapped in a world of insatiable demands.  This cannot be the “very good” world that God created…right?

“I feel like I’m drowning,” I recently said this to someone on a particularly overwhelming day of tasks. It’s something I have said a hundred times before on a hundred other days like that one, but on that day the figurative image flashed before me: my arms flailing about, splashing water everywhere, grasping for air.  Suddenly, I said to the drowning image of me, “Don’t you know that once you stop, you will float?”

It takes great courage to float–to believe that our survival does not depend on our own capacity to sustain ourselves.  Such a risk stands in opposition  to the myth of the self-made man that dominates the “American dream.”  That is a dream of insatiable demands. But that’s not the “very good” world I want to live-into anyways.

The great Jewish thinker Abraham Joshua Heschel wrote, “The world was brought into being in the six days of creation, yet its survival depends upon the holiness of the seventh day.”  I’m trying to live like this–to live out the belief that my creation, my own hard work, will not alone sustain my survival. Sometimes, we all need to rest–to float–until the gentle current pulls us into another space of creativity again.

“Sometimes when I look up at the stars, I stop thinking. It’s just—too big.”

I grinned as I eavesdropped on their wonder-filled exclamations. It occurred to me that anything anyone ever says about the beauty of the stars usually sounds trite to me. But as my mind wondered off, I realized that this wasn’t really the case this time: the sky did look absolutely incredible from where we stood. And it was just too big. There was something about the stars that night that was more beautiful than I could grasp—too beautiful, more incredible than I had remembered them ever seeming before.

It had been nearly a year since I spent any significant amount of time back in the Seattle area.  Between full-time studies and summer school, and a handful of part-time jobs to juggle at any given time, there was not much vacation in the last year. Not much time for stargazing. So I wondered if the stars looked brighter because it had been so long since I looked at them from outside the buzzing Northeastern urbanscape I now call home.

And then, I wondered if it had simply been so long since I looked up at them from anywhere.  Just as distance makes the heart grow fonder, perhaps my leave from stargazing afforded this momentary, cosmic bedazzlement.  Maybe the stars weren’t really that beautiful; they were simply more striking that night because they were more foreign than before. Simple enough.

Then, I wondered whether they are always this breath taking, yet I just shrug off the wonder of the stars as a justification for my own narrow-sightedness. What if they are always shining like this, and I just don’t raise my gaze high enough to see them?  Maybe the stars are this brilliant in Boston too, I thought to myself, and I just haven’t been looking up as often.

Our muddy path opened up to a look-out with a few benches. Shivering a bit as the nighttime breeze encircled us, I sat down on the damp wood and reclined onto my back.  My shoulders relaxed and opened against the hard surface beneath me. And it was silent for sometime.  And I stopped wondering why all of us were staring up at the most amazing scene of stars.

You have not danced so badly, my dear,
Trying to hold hands with the Beautiful One.
You have waltzed with great style,
My sweet, crushed angel,
To have ever neared God’s Heart at all.
Our Partner is notoriously difficult to follow,
And even His best musicians are not always easy to hear.
So what if the music has stopped for a while.
So what
If the price of admission to the Divine
Is out of reach tonight…

…Have patience,
For He will not be able to resist your longing
For long.
You have not danced so badly, my dear,
Trying to kiss the Beautiful One.
You have actually waltzed with tremendous style,
O my sweet,
O my sweet, crushed angel.

-Hafiz

My friend Chuck and I meet once a week to study for the GRE.  We know we wouldn’t glance at a single analogy this summer without the accountability.  Even then, our plans to plow through a few more drills during our time together are inevitably amended for the sake of rousing discussion about theology and our vocations as educator-artist-theologians.

Last week we were musing about good theology–about the nature of it, the courage and creativity of it. I confessed to him how badly I crave to write something honest and beautiful like our favorite scholars and theologians.  Like Foucault, or Simone Weil.

“There are these rare moments of ecstasy when I’m playing with my band–” Chuck told me. He is a musician, and you would know it by hearing him mention a few words on the subject; you can hear it in the reverent tone of his voice. “These moments of beauty and ecstasy–I think they’re like the beauty of theology you’re talking about.” I nodded, encouraging him. “When I’m with my band I can’t force that, you know? It’s a combination of too many things–it’s the way the musicians are playing together that night, it’s the space, it’s the crowd and their chemistry with us.”

Remembering the rush of a great concert, I affirmed, “Yes, that’s what I want, and I know it is about more than just me. When I write I am working so hard, but God doesn’t always show up, ya know?  That energy and beauty doesn’t always come.”  I paused, and then confided to him, “We’ve been working on these applications to doctoral programs, Chuck, and I feel like there is so much riding on this performance. It’s like a show with an audience full of the most brilliant musicians, all of them scrutinizing you, expecting to witness greatness…”

“I’ve been at shows when the ecstasy didn’t come.  When the performance never reached that perfection,”  he told me. “But you know, I could tell how much the band wanted it. And sometimes that’s enough for a great show. It’s not the ultimate; it not ecstasy, but sometimes it’s enough for audience to just witness that hunger within you.”

Hafiz says that even when we do not dance so badly, and even when we waltz with tremendous style, God does not always appear there on the dance floor. This does not mean that God is not watching the beautiful dance, I am sure. “So what?” Hafiz says, writing so affectionately of this angel as she dances. So what? So what?  Perhaps the performance can be beautiful, even as her partner still pauses at the edge of the dance floor.

Perhaps I can create something beautiful, whether or not perfection takes me for a waltz today…

In recent weeks when the news spread that the Vatican is making significant strides to revise its handling of clergy sexual abuse cases–all while allegedly linking the severity of these sins to the ordination of women–the questions came in, and I started to ask myself, “How are you feeling about this, Jessica?  How are you doing?“

I couldn’t stop thinking about the story my friend Katie told me the other day. During a recent weekend, she volunteered at a middle school camp for inner city youth run by the Catholic parochial school where she taught for a few years after college. On that Sunday morning, she went to Mass with the students and their teachers in the camp’s quaint wooden chapel. The presider was gracious with the kids, and a good homilist, too. “But the tabernacle there–” she told me.  That’s what got her. “The tabernacle looks just like the boy’s Catholic school down the street. Like the shape of their building.”  I began to smile as she went on.  I delighted in the fact that this friend anticipated the wonder I would share with her as she recounted this experience for me.  ”This is what Catholicism is about, isn’t it? Recognizing Jesus inside an inner city school like that? Like that?  Believing that Jesus dwells with the underprivileged so much that you make a symbol of it with the most important part of your sanctuary?”

I nodded as we savored this moment that captured the best of our Church.  In that small moment, we didn’t have to convince ourselves that we are so blessed to belong to this Church.  We are blessed to have  church that views inner city schools as tabernacles, and tabernacles as inner city schools.  And blessed to be raised in a church that has given us the eyes to see the world in this way, too. “I wish I had moments like that more often,” Katie said. I think she was referring to the tabernacle at the camp, but I was thinking the same thing about the moment we had just shared–that moment of unwavering pride for our faith.

I’ve been telling a lot of people that, for many reasons, I feel sad and disappointed about the recent Vatican stirrings.  And, really, I’m feeling tired of feeling sad and disappointed. But I am also trying to tell a lot of people about my hope. I’m trying to talk about that, too. I’m trying to tell them about the eyes this tradition has afforded me–Katie and me.  Eyes that recognize miraculous transformations in places and people that much of society overlooks. Eyes that see Jesus in the sometimes harsh and unglamorous realities of our cities.  Eyes set on recognizing God’s redemption of our world in any and every place.  Even in our Church.

When Jesus had entered Capernaum, a centurion came to him, asking for help. “Lord,” he said, “my servant lies at home paralyzed and in terrible suffering.”  Jesus said to him, “I will go and heal him.”  The centurion replied, “Lord, I do not deserve to have you come under my roof. But just say the word, and my servant will be healed. For I myself am a man under authority, with soldiers under me. I tell this one, ‘Go,’ and he goes; and that one, ‘Come,’ and he comes… (Matthew 8:5-8)

There are many things about this section of scripture that make me squeamish.  In principle, I dislike charges of absolute authority, even as they are ascribed to the human incarnation of an omnipotent God.  I am especially uncomfortable with authority analogies related to the military, or any other institutions that employ violence as a means of enforcement, for that matter.  There is something about the centurion’s claim of unworthiness that gets me, too.  Perhaps I’ve seen too many well-intentioned Christians transform “humility” into unproductive guilt.

Despite all this, I cling to that declaration: But just say the word, and my servant will be healed.

This man knew the power of a word.

Jesus responded to the centurion, saying, “Go! It will be done just as you believed it would!” I’d like to believe that “Go” was the word with all that power.  I want to believe that because it is often the smallest words that heal me.  Last semester I took a seminar that required students to circulate written reflections on the assigned readings before class. While reading the first reflection paper of the semester, written by male student, I was touched by the care with which he employed one little word. “When one does this, she experiences that…” Every non-specific pronoun he utilized in the essay was gendered female—a stark contrast to the ubiquitous male-gendered pronouns that filled the theological texts we studied all semester. With that little word—“she”—this colleague extended a powerful message: language so often excludes people of your gender, and I am invested in changing that.  This gesture brought a little bit of healing.

Big words and long phrases have power, too.  I keep a stack of blank note cards next to my bed; you will find me frantically reaching for them while reading Nouwen, Teresa of Avila, and Foucault when I have come across a line or a paragraph too precious to forget.  I scribble them down and pin them to the bulletin board hanging on my bedroom wall where they remind me that so many others out there share the truths that I have unearthed in this short life. These are healing words because they remind me that I am not alone in my search for sense and meaning in my strange encounter with this world.

When I think of being “Christlike,” I dream of bringing words that heal.  This is how I make sense of a life of so many books and computer screens. I am searching for the Word.  The Word that heals.